Conserving Dürer’s Triumphal Arch: photography and imaging

Fascinating story of preservation and curation

British Museum blog

Ivor Kerslake, Photography and Imaging Manager, British Museum and Joanna Russell, Scientist, British Museum

Before any conservation treatment could commence, and with the Arch now out from behind its screen of glass for the first time in a generation, we were granted the opportunity to create a series of high-resolution images. The British Museum’s newly commissioned photographic studio was cleared for two days and Dürer’s masterpiece was expertly transported down the six flights of stairs and carefully unrolled in the main studio. Because of the fragility of the print we were unable to position the work vertically, which would have made our work considerably easier, so it was delicately unrolled on the floor. The challenge was then how to get high enough over the print to get it all within one shot. This was the first real test of the new facility. We decided to use a mobile extendable work…

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About Jose Ramon Marcaida

I’m a historian of science interested in the history of early modern Iberian science and its connection with Renaissance and Baroque visual culture. More generally, I’m interested in the relation between texts, images and things across the Humanities.
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